493 Royalty-Free Audio Tracks for "Watch Tick"

Selection of old clocks. All recorded in our own studio. Recording date december 2010.

Magic mouse 2 recorded with neuman tlm 102.

Ticking clock with a touch of natural reverb.

Still from a phone conversation, but this one sounds like a dart hitting a dartboard. It is in c, although it is so short it really doesn't matter.

I was looking for the sound of a hot engine clicking and found just one with lots of background noises. So i decided to build it from scratch in bitwig studio and this is it. The sound starts with fast clicking slowing down. It's not perfect, you can still hear it's made from samples. But as the sound is normally used at low volume, i think i can get away with it. Feel free to add a gate and shape it even further. I may upload an updated version later.

Sangtai 6168 clock motor/hands from a wall clockrecorded in protools + roland quad capture + akg ck93 miccleaned with rx7 + wns plugin.

I put my recorder in a grandfather clock and waited the half-hour chime. Sorry, i don't have more sound recordings about hours. Recorded with tascam dr-100mkii.

This is the sound of an old clock striking 8. Recorded with a sound devices mixpre 3ll and a pair of audio technica at943 microphones.

A soft sci fi button click. Can also be used as a hover sound. Made in audacity.

A ticking clock for usage as roomsound in a quiet scene. Recorded on the zoom h5 using the inbuild stereo-mic.

The weird sound my spraybottle makes when pressure builds in it after spraying my plants. Recorded with a zoom h5.

My great-uncle and great-aunt have an old grandfather clock. It doesn't quite work right and only chimes 7 times at 12 o'clock, so i had to record it at 11 and add another chime. Nonetheless, it makes for a great ambient sound, especially in a horror setting. I recorded it with my tablet (samsung galaxy tab a) and edited it with audacity (added in an extra chime, converted it to stereo, etc. ).

This sound is 50 ms, 2000 hz pure tone with double linear fadeout through it's whole length. Sampling rate of 8 khz is already an overkill (nyquist frequency is at 4 khz, while all energy of this sound is present in narrow 2 khz frequency range). Created with audacity for use with ardour 3, a free and opensource daw for linux and mac (http://ardour. Org).

A digital eurochron radio controlled alarm clock beeping loudly to wake you up! recorded with zoom h2.

A wall clock ticking recorded in anatolia (turkey), really close. Sound recorded by a sanken cos11d with a lecetrosonics digital hybrid transmitter/receiversound devices 744t recordersound devices 552 mixermonorecorded in august 2012. More sounds on http://www. Felixblume. Com. Please rate the sound or comment it if you like it !.

[pl] kilka zegarów, budzików z warsztatu zegarmistrza w latach 80, ale tak naprwadę pozbieranych w internecie :). [eng] title:"time, sometines later". A few clocks, alarm clocks from a watchmaker's workshop in the 80s, but actually collected on the internet :).

Room tone workshop birds hum clock ticking. I'm happy for a donation, so i can continue to record, edit and upload more sounds!https://www. Paypal. Com/donate?hosted_button_id=85zydhde84nnc.

Clicking a mouse. Wave, 44. 1khz, 24bit, stereorecording device: olympus ls10 with xy-capsulelow-cut: yes (80hz)normalized to -1dbfs. Location: leuphana universität lüneburg, gebäude c7. Lat: 53. 22894126128377lon: 10. 400227904319763. Date: 2013-12-09, 14:00hrecorded and edited by: marlin nöthig, martin tege, david nackethis recording was created in the framework of the seminar "soundscape leuphana (ws13/14)".

This is a bell & howell super 8 camera firing with the camera open so the motor is exposed.

Ticking of the kitchen timer recorded in a studio. Mic: oktava mk 319pre: warm audio tb 12audio interface: spl crimson.

A collection of short ui sounds for interfaces and motion graphics. Enjoy!.

Timex analog office clock, front perspective, muted ticks. Recorded in mono 44. 1/16 from an earthworks sr69 into a zoom h4n, trimmed with a bit of gain boost and a bit of noise filtering eq.

Sound created using a sampler and effects.

10 ticks of a clock making a perfect 10-second loop. Recorded with zoom h2, then denoised (not agressively) in audacity, normalized and looped. Enjoy!.

Created in milkytraker then edited later and multiple sound editing software. This audio is made to mimic the sound of a timer for a ill status effect in an action-rpg. -----------------------------------------------------------------------. This sound, like everything i upload here,is completely free for anyone to use. You may use it however you please. I hope it is useful. 🎶.

Sounds i made with my canon powershot s5 is. Recording date: 17 may 2021. Recorded and edited in audacity.

Digital time world using strega and o-coast via o-ctrl and mimeophon. Reminds me of "time" on "dark side of the moon". Rendered in reaper @48khz to 32 bit fp. 14 markers for morphagene fans. Enjoy your time, this time - anytime. . .

You could hear this rhythm in a place with several clocks; actually i got this 'clock rhythm' idea after hearing a cool beat made by three clocks. Sounds used found in the "clock tick rhythms pack.

An ambient, white noise wall of sound recorded as i walked through our well ventilated university print shop. You can hear a variety of machine noises that layer to create a constant hum, with a swelling rise and fall like occasional waves. Some of the vents whistle, some tick or click and purr. Near the very end, there is a single sharp click. The ventilation system is an anti-fume tube series used for printmaking. Recorded on a microtrack ii. General information: recorded indoors on handheld microtrack while walking from room to room. No noticeable footstep sounds. No voices. Room has high ceilings and cement floors.

Generation of clicks ticks and cycles in makenoise xpo and karplus-strong in mimeophon. Good for musique-concrete, etc. Cycling up until breakpoint. Rendered @48khz 32-bit in reaper. For all you morphagene fans out there. Feel free to place your own markers. Enjoy!.

This was designed for a short film whereas the subject is checked-out, mentally, and builds up before the 'snap' of a mental break. The room had a grandfather clock and basic evening white noise with the sound of internal blood flow quickly amped.

Imagine you are in a creaky old house during a thunderstorm. The old grandfather clock ticking away, a couple of cats somewhere in the house and no reception from an old black and white television or radio but your nice and cosy in front of a crackling log fire.

Raindrops ticking on an open roof window, very faint thunder in the distance. Recorded on a zoom h1.

A recording of a german cuckoo clock ticking. This was designed to be an ambient sound. Recorded using a gen 2 scarlett mic.

A few cycles of my dad's home oxygen machine with a ticking battery operated clock in the background recorded in the early morning in the living room with lifecam hd3000 webcam at the end of about 16 feet of usb cable dragged out of my bedroom. He's about 6 feet away, i was with my back to the room with my camera pointed at my chest so he wouldn't think i was filming. It would seem this is the first and only oxygen machine on freesound. A full cycle seems to last from between 7 to 10 seconds. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.

Recorded in my dad's bedroom with lifecam hd3000 webcam. This is a much better recording than my previous oxygen concentrator file, as i hauled my desktop into the bedroom at the other end of the apartment where the machine now is, when i was home alone. The webcam is on the bed about 3 or 4 feet from the machineat the beginning of the file you hear me flip the big switch and the machine comes on with a long on beep and thumps. I edited it to start then. At 00:1. 8 what i suspect is the water pump comes on, though i may be wrong. That's when the gurgling starts though. The machine has a small reservoir for distilled water to moisten the airflow. A cup or two lasts several daysyou'll hear various hisses and thumps in a 15. 6 second cycle as it runs. At 03:03 i flip the big switch to shut the machine off, and it bubbles and gurgles away for the rest of the file, as water i assume slowly perculates back into the reservoir, the bubbling getting quieter and quieter until it doesn't even sound like bubbling anymore, until it finally ticks to a stop. At 03:16 you hear me step as i get my foot loose from the mic cord lol. At 04:13 the furnace shuts down as a car finishes going by outside in the bass register, faint traffic noises and the furnace being the only background noises you'll hear aside from my moving around a couple times, and a faint bluejay at the end. At about 07:00 you can barely hear the machine anymore, but i could hear a faint ticking with my own ears. At 07:04 the furnace comes back on. At 07:08 you'll hear a bluejay faintly calling outside and a car going by outside after, which finishes the file at 07:20. I edited out my walking to the computer to shut the recording down. From wikipediaoxygen concentrators typically use pressure swing adsorption technology and are used very widely for oxygen provision in healthcare applications, especially where liquid or pressurised oxygen is too dangerous or inconvenient, such as in homes or in portable clinics. Oxygen concentrators are also used to provide an economical source of oxygen in industrial processes, where they are also known as oxygen gas generators or oxygen generation plants. Oxygen concentrators utilize a molecular sieve to adsorb gasses and operate on the principle of rapid pressure swing adsorption of atmospheric nitrogen onto zeolite minerals and then venting the nitrogen. This type of adsorption system is therefore functionally a nitrogen scrubber leaving the other atmospheric gasses to pass through. This leaves oxygen as the primary gas remaining. Psa technology is a reliable and economical technique for small to mid-scale oxygen generation, with cryogenic separation more suitable at higher volumes and external delivery generally more suitable for small volumes. [1]at high pressure, the porous zeolite adsorbs large quantities of nitrogen, due to its large surface area and chemical character. After the oxygen and other free components are collected the pressure drops which allows nitrogen to desorb. An oxygen concentrator has an air compressor, two cylinders filled with zeolite pellets, a pressure equalizing reservoir, and some valves and tubes. In the first half-cycle the first cylinder receives air from the compressor, which lasts about 3 seconds. During that time the pressure in the first cylinder rises from atmospheric to about 1. 5 times normal atmospheric pressure (typically 20 psi/138 kpa gauge, or 1. 36 atmospheres absolute) and the zeolite becomes saturated with nitrogen. As the first cylinder reaches near pure oxygen (there are small amounts of argon, co2, water vapour, radon and other minor atmospheric components) in the first half-cycle, a valve opens and the oxygen enriched gas flows to the pressure equalizing reservoir, which connects to the patient's oxygen hose. At the end of the first half of the cycle, there is another valve position change so that the air from the compressor is directed to the 2nd cylinder. Pressure in the first cylinder drops as the enriched oxygen moves into the reservoir, allowing the nitrogen to be desorbed back into gas. Part way through the second half of the cycle there is another valve position change to vent the gas in the first cylinder back into the ambient atmosphere, keeping the concentration of oxygen in the pressure equalizing reservoir from falling below about 90%. The pressure in the hose delivering oxygen from the equalizing reservoir is kept steady by a pressure reducing valve. Older units cycled with a period of about 20 seconds, and supplied up to 5 litres per minute of 90+% oxygen. Since about 1999, units capable of supplying up to 10 lpm have been available.

Using a contact mic placed onto the lid of a large plastic trash container to record the rain as it hits the lid. 96khz 24bit/mcontact mic.

Electro-magnetic interference from the colorino talking color identifier and light probe when held near the internal ferrite antenna on the back right of a 13-year-old boombox near the bottom of the am broadcast band, from 530 to 580 khz. You first hear the device inactive being brought near the radio. This gives a low buzz of stacato clicks. At about 00:23 the light probe button is briefly pushed, you hear a quick boop of the light probe with low light level combined with the beginning of the white noise of the device active. If you put your ear near it after you use it, you will hear a slight hiss from the audio amplifier carrier idling for about a minute after last use. On the am radio this translates to white noise. At 00:26 there is a double click and a distorted voice says black. The voice is being picked up by the am radio. 10 seconds of white noise and i press the color button again and it says black. I put something else over the color sensor and it says a few more things. At 00:51 i hold down the light probe button and try to point it at the light above my desk while still holding it close enough to the radio to pick up the emi signal. You hear a warbling tone at 00:59 as the light reaching the sensor increases and decreases in brightness depending on how it's pointed. The signal fades in and out as the device is moved around. This has all happened at 530 khz. At 01:37 i step the radio up to 580 khz where you get a stronger signal. Wibw from topeka competes with the noise throughout the rest of the file. At 01:51 you hear the distorted error beep as i press the color button without anything but air and light in front of the color sensor. It must be pressed up against the thing you want the color of, or it gets in too much ambient light and errors out with a loud protesting beep.